There might be a bit of a mea culpa coming (a slight one, mind you!).Ī recent retro of the adrenaline-fueled, vehicle-crunching, body-flinging “Mad Max” films has brought me, for a third time, to a viewing of that most wildly over-the-top, bonanza-budgeted (so much so it’s worldwide take-in of almost 400 million dollars, which entirely dwarfs the box office tallies of any of the previous three entries, was considered – get this - a ‘disappointment’), uber-gooey-CGI-sploogefest (and, make no mistake – no matter how much the corporate machine wants to sell the notion – with all those little infantilized droogies the world is now full of happily parroting it as fact – that this Max movie was done with almost all actual stunts, with everything in-camera, is a large whopping can of horseshit – because while there’s some real stunts going on in the film, for sure, there are huge gobs of squirted computer imaging shot bukaki-style over almost every image of this film, with double spurting on the action sequences).
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